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Ordet (1954)

Director: Carl Dreyer

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From Time Out Film Guide

Dreyer's penultimate feature (Gertrud followed a full decade later) is another of his explorations of the clash between orthodox religion and true faith. Based with great fidelity on a play by Kaj Munk, it's formulated as a kind of rural chamber drama, and like most of Dreyer's films it centres on the tensions within a family. Its method is to establish a scrupulously realistic frame of reference, then undercut it thematically with elements of the fantastic and formally with a film syntax that demands constant attention to the way meaning is being constructed. The intensity of the viewer's relationship with the film makes the closing scene (a miracle) one of the most extraordinary in all cinema.

Author: TR 0000-00-00 00:00:00

Time Out Film Guide


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