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Orphée (1950)

Director: Jean Cocteau

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Movie review

From Time Out Film Guide

Marais (Cocteau's companion) plays the '40s poet (alias Cocteau) who's won fame, fortune and the hatred of Left Bank youth. Desperate for inspiration, he follows an imperious Princess flanked by Fascist (or 'Cruising') type police. Her rubber-gloved hand leads through the looking-glass to a slow-motion night kingdom. This Sur-Noir fantasy has more meanings than the Book of Revelations. It's an allegory for Poetry. It's the Confessions of a Gay Opium-Eater. Its mirrors and misogyny, optical tricks and enigmatic phrases, mark it as prime meat for Lacanians and feminists. With its Resis-tance Band radios and brutal militiamen it catches the terrors of Occupation life. Its tight cross-lacing of paranoid dreaming and poetic realism grips like a bondage corset. When Alain Resnais in Japan couldn't get the crew of Hiroshima, Mon Amour to understand, he'd refer to Orphée, whose weird myth fascinated them all.

Author: RD 0000-00-00 00:00:00

Time Out Film Guide

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User reviews of this film

  • Basil Eliades said...
    Posted on Jan 07 2008 23:11 This is film-making as poetry, staggeringly beautiful in its imagery, timing, story, metaphors, and understandings. Superb cinema.
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Cast & crew

Director: Jean Cocteau

Producer: André Paulvé

Cast: Jean Marais, Maria Casarès, François Périer, Marie Déa, Edouard Dermithe, Juliette Gréco, Henri Crémieux, Roger Blin full cast

Duration: 112 mins


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