Film

Movie theaters, reviews and showtimes in New York, plus articles, trailers and more

 

The Fall of the Roman Empire (1964)

Director: Anthony Mann

Average user rating
No reviews

Movie review

From Time Out Film Guide

Though lacking the mythic clarity of El Cid - Mann's other epic for Samuel Bronston - this is a superior example of the genre. Deserting the usual conflict of Christians and Romans, the story moves to a later era and charts the intrigues surrounding the Imperial throne, held by Marcus Aurelius and coveted by the corrupt Commodus, that led to the Romans' downfall at the hands of the Barbarians. Largely accurate in historical terms, thanks to a wordy but intelligent script by Philip Yordan (a master of the epic style), it is surprisingly restrained, both in terms of action and acting. But the atmosphere is consistently convincing: darkness holds sway on the fringes of the Empire, where the armies are struggling to repel the invading hordes, while Rome is presented as a magnificent but decadent monument to the unimaginative pragmatism of the Roman mind. Terrific sets, a stirring score by Dimitri Tiomkin and the overall quality of the production values manage to counteract the film's excessive length.

Author: GA 0000-00-00 00:00:00

Time Out Film Guide


  • Print this page
  • Send to a friend

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields





Features

Making a name for himself

Making a name for himself

Sin Nombre's Cary Joji Fukunaga learned his lessons well.

To the letter

Forty years later, Costa-Gavras's Z still brims with fury.

Mind over matter

David Cronenberg reflects on a most bizarre body: his own corpus of work.

Fool's gold

Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.

We are the championed

Terrorists and teens abound in this year's "Film Comment Selects."

A history of violence

Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.

True romantic

James Gray exchanges urban amorality for amour in Two Lovers.

Playing in the dark

MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.

Junk bonds

Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.