The Final Countdown (1980)
Director: Don Taylor
Movie review
From Time Out Film Guide
What happens when the mighty US aircraft carrier 'Nimitz' is carried through a timewarp to find itself off Pearl Harbor minutes before the Japs attack in 1941? An idea worthy of Harlan Ellison, but disappointingly fumbled. Taylor handles most of the aircraft carrier material like a recruiting film, and though the script manages a few deft twists and turns, and even a neat final frisson, it ultimately works more on the tease level of a TV episode than as a movie. Sheen's performance, as always, is engagingly low-key.Author: DP
User reviews of this film
-
- Cathy said...
- Posted on Sep 01 2007 19:35 I was really disappointed. I love science fiction, especially time travel, but this film was terribly poor. It moved with the speed of a tortoise, the script was bad and the acting excrutiating. It was a shame because it was an interesting concept and in different hands it could've really sparkled. Everything was so muted and slow, and Kirk Douglas in particular acted badly, as if he wasn't comfortable in the role he was in. There also seemed little point in the story, and it fizzled out as dissapointingly as it began. For science fiction fans, this is a definite no-no. The only people who might be interested are those like military scenes about ships and planes.
- Report as inappropriate
Cast & crew
Director: Don Taylor
Producer: Peter Douglas
Cast: Kirk Douglas, Martin Sheen, Katharine Ross, James Farentino, Ron O'Neal, Charles Durning full cast
Genre(s): Science Fiction
Duration: 105 mins
Most popular on this site
Features
To the letter
Forty years later, Costa-Gavras's Z still brims with fury.
Mind over matter
David Cronenberg reflects on a most bizarre body: his own corpus of work.
Fool's gold
Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.
We are the championed
Terrorists and teens abound in this year's "Film Comment Selects."
A history of violence
Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.
True romantic
James Gray exchanges urban amorality for amour in Two Lovers.
Playing in the dark
MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.
Junk bonds
Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.



What do you think?
Post your review now