Film

Movie theaters, reviews and showtimes in New York, plus articles, trailers and more

 

The Ballad of the Sad Café (1991)

Director: Simon Callow

Average user rating
No reviews

Movie review

From Time Out Film Guide

Callow makes his debut as a director with enormously difficult material: a strange and fantastical novella, written by the young Carson McCullers, about a barren, hayseed Georgia community. The tone is always a grainy Southern realism teetering on the edge of lunacy; and, given that the central characters are a giantess, a dwarf, and a redneck recidivist who makes the town's meat go bad, one can see the problem. Like Sartre's Huis Clos, this is a story of triple-unrequited passion in which fairytale and myth come to the fore, partly because (even as played by the superb Redgrave and Carradine) the main combatants are hardly made of the usual sympathetic stuff that passionate sagas need. Instead, Callow has cleverly created a company style that can encompass everyone from stand-up comedian Hubbert as the perky dwarf, Steiger as the local preacher, and Carradine, the ultimate rangy screen professional, as badman Marvin Macy. But despite traces of the English accent, it's Ms Redgrave who steals the show; the finale in which she and Carradine engage in a bloody fist-fight makes Liam Neeson's bit of bother in The Big Man look like handbags at dawn.

Author: SGr 0000-00-00 00:00:00

Time Out Film Guide


  • Print this page
  • Send to a friend

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields





Features

Making a name for himself

Making a name for himself

Sin Nombre's Cary Joji Fukunaga learned his lessons well.

To the letter

Forty years later, Costa-Gavras's Z still brims with fury.

Mind over matter

David Cronenberg reflects on a most bizarre body: his own corpus of work.

Fool's gold

Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.

We are the championed

Terrorists and teens abound in this year's "Film Comment Selects."

A history of violence

Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.

True romantic

James Gray exchanges urban amorality for amour in Two Lovers.

Playing in the dark

MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.

Junk bonds

Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.