Film

Movie theaters, reviews and showtimes in New York, plus articles, trailers and more

 

Barrier (1966)

Director: Jerzy Skolimowski

Average user rating
No reviews

Movie review

From Time Out Film Guide

Skolimowski's third film and one of his best, an extraordinary fusion of fantasy and documentary that adds up to a bleakly disenchanted look at the Polish here-and-now. It begins with images of strange, indefinable menace that resolve themselves into one of those ritualistic Polish games (like the one in Knife in the Water) being played by medical students. The winner, grabbing the piggy-bank containing the spoils (no communal ownership for him) and brandishing a sabre (sole legacy of his father), sets out into streets illuminated by the ubiquitous candles of Easter, seeking the good life in a society that proves to be haunted by the oppressive weight of past glories, peopled by old age, death, disillusionment and hordes of commuters scurrying past the huge, blank new buildings. He ends clinging precariously to the front of a rattletrap tram ('There are romantic impulses left in our cynical generation') driven by the quizzical blonde he meets, loses and finally finds again as his only spark of hope. With its startling imagery and bizarre landscapes, Barrier is that rare bird, a genuinely surrealist film.

Author: TM 0000-00-00 00:00:00

Time Out Film Guide


  • Print this page
  • Send to a friend

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields





Features

Making a name for himself

Making a name for himself

Sin Nombre's Cary Joji Fukunaga learned his lessons well.

To the letter

Forty years later, Costa-Gavras's Z still brims with fury.

Mind over matter

David Cronenberg reflects on a most bizarre body: his own corpus of work.

Fool's gold

Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.

We are the championed

Terrorists and teens abound in this year's "Film Comment Selects."

A history of violence

Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.

True romantic

James Gray exchanges urban amorality for amour in Two Lovers.

Playing in the dark

MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.

Junk bonds

Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.