Belle de Jour (1967)
Director: Luis Buñuel
Movie review
From Time Out London
One of the sly, Spanish provocateur’s greatest popular successes, ‘Belle de Jour’ – revived in a new print as centrepiece of a two-month NFT Buñuel retrospective – is a mischievously deadpan and classically cool 1967 adaptation of Joseph Kessel’s ‘cheap’ fictionalised tale of a Parisian doctor’s wife who secretly volunteers for the two-till-five shift at an upmarket brothel. It opens with French cinema’s prim, fair Miss Frigidaire, Catherine Deneuve, being roughly trussed and stripped by her husband, before ‘the little whore’ is whipped and distainfully left for the carnal satisfaction of his two coachmen. As Buñuel and his scriptwriter Jean-Claude Carrière make clear, this is a mere fantasy in the head of their masochistic heroine. Nevertheless, it was received as a confrontational ‘liberationist’ shock at the time. If, for us jaded children and grandchildren of the ’60s, 40 years of bombardment by explicit sexual imagery has made that impact unrecoverable, the undiminished power of the film resides more in the mesmeric audacity of Buñuel’s method. The productive friction – be it between the salacious material and the ‘chaste’ formality of how it’s observed; the ersatz ‘elegance’ of the salon and the perverse etiquettes of the Yves Saint Laurent-clothed, cigarette-chewing prostitutes and their clients; or the hallucinatory melding of fantasy and reality – still generates heat like a nuclear reactor.Author: Wally Hammond
Time Out London Issue 1896: December 20 2006-January 3 2007
Cast & crew
Director: Luis Buñuel
Producer: Robert Hakim, Raymond Hakim
Cast: Catherine Deneuve, Jean Sorel, Michel Piccoli, Genevieve Page, Francisco Rabal, Pierre Clémenti, Georges Marchal full cast
Duration: 100 mins
Most popular on this site
Features
To the letter
Forty years later, Costa-Gavras's Z still brims with fury.
Mind over matter
David Cronenberg reflects on a most bizarre body: his own corpus of work.
Fool's gold
Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.
We are the championed
Terrorists and teens abound in this year's "Film Comment Selects."
A history of violence
Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.
True romantic
James Gray exchanges urban amorality for amour in Two Lovers.
Playing in the dark
MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.
Junk bonds
Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.



What do you think?
Post your review now