Big Fish (2003)
Director: Tim Burton
Movie review
From Time Out Film Guide
This version of Daniel Wallace's fantasy novel has had many favourable reviews Stateside. Is that because, like the similar fabulation in Forrest Gump, it offers a profoundly meretricious portrait of the US from the Depression to, roughly, the present? Or is it because of its comforting conceit that death doesn't really remove us from the world? Surely it can't be the implication that women exist purely to be courted, raise kids and stand by their men. Many reckon it wrong to take fantasy to task for such ethical shortcomings. In recounting the adventures (with giants, conjoined twins, witches, werewolves, circus folk, poets) that tall-storyteller and travelling salesman Edward Bloom (Finney) constantly claims for his younger self (McGregor) - to the amusement of all but estranged son Will (Crudup) - Burton and Co are clearly aiming for something more 'universal' than history and politics. But this is set in Alabama (a key battlefield in the Civil Rights struggle) and so to show virtually no blacks except for a doctor (implausibly allowed to deliver Bloom's mother of her baby) is whitewashing of the worst kind. The film doesn't so much reject history as selectively rewrite it to its own reactionary, even offensive ends. This might perhaps be just about tolerable were the film funny, illuminating, insightful or moving. It is not.Author: GA
Cast & crew
Director: Tim Burton
Producer: Richard D Zanuck, Bruce Cohen, Dan Jinks
Cast: Ewan McGregor, Albert Finney, Billy Crudup, Jessica Lange, Helena Bonham Carter, Alison Lohman, Robert Guillaume, Marion Cotillard, Matthew McGrory, David Denman, Missi Pyle, Loudon Wainwright, Steve Buscemi, Danny DeVito full cast
Genre(s): Comedy
Duration: 125 mins
Most popular on this site
Features
To the letter
Forty years later, Costa-Gavras's Z still brims with fury.
Mind over matter
David Cronenberg reflects on a most bizarre body: his own corpus of work.
Fool's gold
Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.
We are the championed
Terrorists and teens abound in this year's "Film Comment Selects."
A history of violence
Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.
True romantic
James Gray exchanges urban amorality for amour in Two Lovers.
Playing in the dark
MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.
Junk bonds
Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.



What do you think?
Post your review now