Film

Movie theaters, reviews and showtimes in New York, plus articles, trailers and more

 

Billy Budd (1962)

Director: Peter Ustinov

Average user rating
No reviews

Movie review

From Time Out Film Guide

Ustinov directs this adaptation of Melville's last work in uncharacteristically serious vein. There is a decided shift in emphasis from Melville's allegory of absolute good and evil to a poignant examination of the blindness of justice and law. The angelic Billy is played by a blond Stamp in his first film role; Ustinov himself is Man-o-War Captain Vere, forced to try the naif Billy for the accidental murder of master-at-arms Claggart; and Ryan's performance as the evil Claggart, a role he had long coveted, is staggeringly authoritative, right up to the smile on his face as he dies knowing Billy will hang for his murder. There are many powerful scenes unspoilt by attempts from Ustinov to be cinematic; in fact his self-effacing direction allows the actors to give uniformly sincere performances. Only marginally spoiled by such visual conceits as the lurching ship representing the tilting scales of justice during Vere's debate on whether Billy should hang.

Author: RM 0000-00-00 00:00:00

Time Out Film Guide


  • Print this page
  • Send to a friend

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields





Features

Making a name for himself

Making a name for himself

Sin Nombre's Cary Joji Fukunaga learned his lessons well.

To the letter

Forty years later, Costa-Gavras's Z still brims with fury.

Mind over matter

David Cronenberg reflects on a most bizarre body: his own corpus of work.

Fool's gold

Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.

We are the championed

Terrorists and teens abound in this year's "Film Comment Selects."

A history of violence

Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.

True romantic

James Gray exchanges urban amorality for amour in Two Lovers.

Playing in the dark

MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.

Junk bonds

Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.