Film

Movie theaters, reviews and showtimes in New York, plus articles, trailers and more

 

Billy's Hollywood Screen Kiss (1998)

Director: Tommy O'Haver

Average user rating
No reviews

Movie review

From Time Out Film Guide

First time writer/director O'Haver sets the tone by giving his presumed alter ego, aspiring photographer Billy (Hayes), a straight to camera speech. Half confessional, half mock lecture illustrated with Polaroids, it lays down Billy's sexual-political and cinematic aesthetics and the film's modest intentions and survivalist agenda. The plot is old fashioned boy loves boy. Dissatisfied with his less romantic lover Fernando (Valdes-Kennedy), Billy notices square-jawed Gabriel (Rowe) at an art gallery, seeing in him a potential model for his Hollywood Screen Kiss photo project and, perhaps, a lover. Gabriel quickly accepts the former role but dead bats the latter, and shows signs of venality by accepting an invitation to the yacht party of a mutual gay acquaintance, big shot artist Rex (Bartel). Will it be kiss or kiss-off for Billy? Despite being shot in 'Scope and saturated colour, this is closer to the 'hell, let's give it a go' spirit of '90s indie explorers like Kevin Smith. The dialogue may lack Smith's snap and wit, but the overall effect is warm and direct.

Author: WH 0000-00-00 00:00:00

Time Out Film Guide


  • Print this page
  • Send to a friend

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields





Features

Making a name for himself

Making a name for himself

Sin Nombre's Cary Joji Fukunaga learned his lessons well.

To the letter

Forty years later, Costa-Gavras's Z still brims with fury.

Mind over matter

David Cronenberg reflects on a most bizarre body: his own corpus of work.

Fool's gold

Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.

We are the championed

Terrorists and teens abound in this year's "Film Comment Selects."

A history of violence

Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.

True romantic

James Gray exchanges urban amorality for amour in Two Lovers.

Playing in the dark

MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.

Junk bonds

Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.