Film

Movie theaters, reviews and showtimes in New York, plus articles, trailers and more

 

Black Orpheus (1959)

Director: Marcel Camus

Average user rating
No reviews

Movie review

From Time Out London

Winner of the 1959 Palme d’Or at Cannes and the Oscar for Best Foreign Film, this retelling of the Orpheus story in carnival-thronged Rio hasn’t altogether escaped the ravages of time. Although Marcel Camus’ film sprang from contemporary currents in Brazil (based on a theatre piece by Vinicius de Moraes, and gaining immeasurably from its classic samba score by fresh talents Luiz Bonfá and Antonio Carlos Jobim), it’s still hard to escape the suspicion that the French director is exploiting the abundant local colour for his own purposes. That said, his largely non-professional cast acquit themselves with an appealing sincerity as handsome trolleybus conductor Orfeu (Breno Mello) falls for visiting innocent Eurydice (Marpessa Dawn), despite the fact he’s engaged to the brazen Mira (Lourdes de Oliveira). Romantic intrigue soon gives way to an altogether darker mood though, as Orfeu finds himself unable to protect his new love from the unwelcome attentions of a dark stranger, who makes his fatal strike while the carnival’s at its height and his skeleton outfit blends right in.It’s a film that improves as it goes along, the clunky comedy of the happy favelas eclipsed by an imaginative transposition of the Orphic legend, cleverly using locations such as the city’s missing-persons bureau and a Macumba ceremony seemingly halfway between revivalist meeting and voodoo frenzy. Presumably, this ethnographic aspect impressed at the time, but nowadays it’s the incredibly rich whirl of colour and movement captured by Jean Bourgoin’s gorgeous cinematography and the timelessly appealing soundtrack (inspiration for a subsequent generation of jazzmen) that continue to cast a spell. A mixed bag then, but the highlights are memorable.

Author: TJ 2005-11-01 13:07:01

Time Out London Issue 1837: November 2-9 2005


  • Print this page
  • Send to a friend

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields





Features

Making a name for himself

Making a name for himself

Sin Nombre's Cary Joji Fukunaga learned his lessons well.

To the letter

Forty years later, Costa-Gavras's Z still brims with fury.

Mind over matter

David Cronenberg reflects on a most bizarre body: his own corpus of work.

Fool's gold

Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.

We are the championed

Terrorists and teens abound in this year's "Film Comment Selects."

A history of violence

Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.

True romantic

James Gray exchanges urban amorality for amour in Two Lovers.

Playing in the dark

MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.

Junk bonds

Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.