Film

Movie theaters, reviews and showtimes in New York, plus articles, trailers and more
 

The Blind Goddess (1948)

Director: Harold French

Average user rating
No reviews

Movie review

From Time Out Film Guide

Apapted from a play by Sir Patrick Hastings, this class-bound courtroom drama is utterly of its time, what with its nice young hero ('Darling, I've been a blithering idiot'), its masterful King's Counsel ('I object - to nothing'), its sternly impartial judge. Add Maurice Denham and Thora Hird as the servant class ('Cook would like a word, ma'am'), plus the thought that rock'n'roll was still eight years away, and you catch a glimpse of the hell that must have been 1948. Of mild interest are Portman's delivery, a cadenced gabble, with words hurtling into one another like a motorway pile-up; and the way in which, having dared to make Lord and Lady Brasted the stop-at-nothing villains, the writers still can't forbear from finding them really rather admirable and splendid. The title refers to Justice.

Author: BBa 0000-00-00 00:00:00

Time Out Film Guide

  • Print this page
  • Send to a friend

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields


Cast & crew

Director: Harold French

Producer: Harold French, Betty Box

Cast: Eric Portman, Michael Denison, Claire Bloom, Anne Crawford, Hugh Williams, Frank Cellier, Clive Morton, Maurice Denham, Thora Hird full cast

Duration: 87 mins


Features

Making a name for himself

Making a name for himself

Sin Nombre's Cary Joji Fukunaga learned his lessons well.

To the letter

Forty years later, Costa-Gavras's Z still brims with fury.

Mind over matter

David Cronenberg reflects on a most bizarre body: his own corpus of work.

Fool's gold

Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.

We are the championed

Terrorists and teens abound in this year's "Film Comment Selects."

A history of violence

Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.

True romantic

James Gray exchanges urban amorality for amour in Two Lovers.

Playing in the dark

MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.

Junk bonds

Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.