The Blue Villa (1994)
Director: Alain Robbe-Grillet, Dimitri de Clercq
Movie review
From Time Out Film Guide
Perhaps the French title - Un bruit qui rend fou (a maddening noise) - evokes more accurately the particular qualities of Robbe-Grillet's movie. As in Last Year in Marienbad and L'Immortelle, the writer/director can't simply let a story unfold, but worries away at it with question after question, hypothesis after hypothesis. Thus, when a Mediterranean island is revisited by Frank (Ward), a sailor said to have drowned a year earlier when he fled after allegedly killing 16-year-old Santa, we're unsure not only whether he's a ghost, but whether the girl is actually dead or hidden in a bordello, the Blue Villa, run by a shady chanteuse (Dombasle). We're unsure even whether Frank's return is for real, or something imagined by Santa's father, a screenwriter (Tordjman), whom, naturally, the police chief suspects of being behind the crime, if it ever happened. Despite the longueurs, fans of Ruiz, Greenaway or Welles' Confidential Report may find much to enjoy. Nevertheless, just as the whiff of sexual perversity now seems both dubious and dated, so the film's arch artifice seems strangely out of touch with current film-making concerns.Author: GA
Cast & crew
Director: Alain Robbe-Grillet, Dimitri de Clercq
Producer: Jacques de Clercq
Cast: Fred Ward, Arielle Dombasle, Charles Tordjman, Sandrine Le Berre, Dimitri Poulikakos, Christian Maillet full cast
Duration: 100 mins
Most popular on this site
Features
To the letter
Forty years later, Costa-Gavras's Z still brims with fury.
Mind over matter
David Cronenberg reflects on a most bizarre body: his own corpus of work.
Fool's gold
Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.
We are the championed
Terrorists and teens abound in this year's "Film Comment Selects."
A history of violence
Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.
True romantic
James Gray exchanges urban amorality for amour in Two Lovers.
Playing in the dark
MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.
Junk bonds
Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.



What do you think?
Post your review now