Film

Movie theaters, reviews and showtimes in New York, plus articles, trailers and more
 

Born Yesterday (1950)

Director: George Cukor

Average user rating
No reviews

Movie review

From Time Out Film Guide

Despite the tendency of Garson Kanin's play to go all dewy-eyed in its celebration of American democratic ideals, Cukor's screen version is still a delight. The story - rehashed later in The Girl Can't Help It - concerns the apparently dumb chorus-girl mistress of a ruthless tycoon-cum-gangster; the big shot decides she should become more sophisticated and knowledgeable (purely for the sake of appearances), and employs Holden to give her a few lessons. But the plan backfires, both because she falls for the teacher and because her education turns her against her brutish lover's rather dubious moral practices. A very simple idea, but enlivened by a sharp, witty script, and by Cukor's effortless handling of the brilliant performances: especially fine are Holliday as the dumb blonde who makes good, and Crawford as the confused sugar-daddy, nowhere more so than in the marvellous scene where her mindless singing disturbs his concentration over a game of gin rummy. Magic.

Author: GA 0000-00-00 00:00:00

Time Out Film Guide

  • Print this page
  • Send to a friend

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields


Cast & crew

Director: George Cukor

Producer: S Sylvan Simon

Cast: Judy Holliday, William Holden, Broderick Crawford, Howard St John, Frank Otto, Larry Oliver full cast

Genre(s): Comedy

Duration: 103 mins


Features

Making a name for himself

Making a name for himself

Sin Nombre's Cary Joji Fukunaga learned his lessons well.

To the letter

Forty years later, Costa-Gavras's Z still brims with fury.

Mind over matter

David Cronenberg reflects on a most bizarre body: his own corpus of work.

Fool's gold

Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.

We are the championed

Terrorists and teens abound in this year's "Film Comment Selects."

A history of violence

Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.

True romantic

James Gray exchanges urban amorality for amour in Two Lovers.

Playing in the dark

MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.

Junk bonds

Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.