Film

Movie theaters, reviews and showtimes in New York, plus articles, trailers and more

 

Bright Lights, Big City (1988)

Director: James Bridges

Average user rating
No reviews

Movie review

From Time Out Film Guide

It's hard to care much about Jamie Conway, an aspiring novelist who is dissipating his substance in New York on cocaine and parties: Fox hasn't the range to play anguish, so the explanatory voice-over is less a survival from the best-selling novel than a necessity. Why is he doing this to himself? It's a cry for help, of course, and there's a lengthy monologue at a concerned colleague's apartment that brings any dramatic thrust to a stop. Jamie's wife (Cates) has left him, and his beloved mother (Wiest) has died of cancer, so he clings to bad influences like Tad the Lad (Sutherland). 'The Bolivian Marching Powder' finally gives him a nose-bleed, which forces him to take stock of his soul, and in a risible piece of symbolism, he trades his shades for a loaf of bread like Mother use to bake. Some telling cameos, however: Robards as a boozy bore who once hobnobbed with the greats of American Lit; Houseman as an etymological pedant; Wiest in a wonderfully moving death-bed scene.

Author: BC 0000-00-00 00:00:00

Time Out Film Guide


  • Print this page
  • Send to a friend

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields





Features

Making a name for himself

Making a name for himself

Sin Nombre's Cary Joji Fukunaga learned his lessons well.

To the letter

Forty years later, Costa-Gavras's Z still brims with fury.

Mind over matter

David Cronenberg reflects on a most bizarre body: his own corpus of work.

Fool's gold

Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.

We are the championed

Terrorists and teens abound in this year's "Film Comment Selects."

A history of violence

Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.

True romantic

James Gray exchanges urban amorality for amour in Two Lovers.

Playing in the dark

MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.

Junk bonds

Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.