The Candidate (1972)
Director: Michael Ritchie
Movie review
From Time Out Film Guide
Ritchie and Redford's follow-up to Downhill Racer is one of the more intelligent films to have been made about political machinations in America. Redford plays an idealistic young lawyer, concerned with grass roots issues, refusing to play the media games that are so much part of the political campaign he becomes involved in, and determined to do and say exactly what he feels. But gradually the desire for the power by which he can implement his ideas leads him into fatal compromise. A fairly obvious story, perhaps, but one that is helped enormously both by Ritchie's reluctance to move away from simulated realism into melodramatic plotting, and by his customary generosity, clear-eyed and unsentimental, towards his characters. And the trap of blaming the inexorable move towards compromise and sellout either on a lone individual (which would suggest that otherwise everything would be all right) or on the system (a vague concept which would excuse the protagonist) is carefully avoided. Rather, the symbiotic relationships into which Redford and his agents, publicists and colleagues willingly, if reluctantly, allow themselves to fall, make for a far more thorough depiction of the seductive nature of power.Author: GA
Cast & crew
Director: Michael Ritchie
Producer: Walter Coblenz
Cast: Robert Redford, Peter Boyle, Don Porter, Allen Garfield, Karen Carlson, Quinn Redeker, Melvyn Douglas full cast
Duration: 110 mins
Most popular on this site
Features
To the letter
Forty years later, Costa-Gavras's Z still brims with fury.
Mind over matter
David Cronenberg reflects on a most bizarre body: his own corpus of work.
Fool's gold
Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.
We are the championed
Terrorists and teens abound in this year's "Film Comment Selects."
A history of violence
Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.
True romantic
James Gray exchanges urban amorality for amour in Two Lovers.
Playing in the dark
MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.
Junk bonds
Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.



What do you think?
Post your review now