Film

Movie theaters, reviews and showtimes in New York, plus articles, trailers and more

 

Canyon Passage (1946)

Director: Jacques Tourneur

Average user rating
No reviews

Movie review

From Time Out Film Guide

Oregon, 1856: pioneering days. Andrews is the ambitious, self-reliant hero around whom move the weak friend (Donlevy), the sworn enemy (Bond), the more or less right woman (Hayward), and the more or less wrong one (Roc, on leave from J Arthur Rank). The film's unevenness and its fitful progress are characteristic of Tourneur. Hayward looks neglected, Donlevy seems disinclined, Carmichael's songs are pleasant but disruptive, and, at a guess, the writer tried to pack in far too much of a discursive novel (by Ernest Haycox). Against all that is the director's talent for the eloquent vignette, the way his characters from time to time convey an unexpected delicacy of feeling and the sense, coherently organised and expressed in the movie, of life as an affair of the temporary and the uncertain. In other words, less for Western buffs than for auteurists and those with a taste for curate's eggs.

Author: BBa 0000-00-00 00:00:00

Time Out Film Guide


  • Print this page
  • Send to a friend

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields





Features

Making a name for himself

Making a name for himself

Sin Nombre's Cary Joji Fukunaga learned his lessons well.

To the letter

Forty years later, Costa-Gavras's Z still brims with fury.

Mind over matter

David Cronenberg reflects on a most bizarre body: his own corpus of work.

Fool's gold

Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.

We are the championed

Terrorists and teens abound in this year's "Film Comment Selects."

A history of violence

Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.

True romantic

James Gray exchanges urban amorality for amour in Two Lovers.

Playing in the dark

MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.

Junk bonds

Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.