Chaplin (1992)
Director: Richard Attenborough
Movie review
From Time Out Film Guide
Attenborough's very traditional biopic is a disappointment. Going for the whole life has meant an even, plodding, surface treatment, and using the device of an old Chaplin reminiscing to the publisher of his autobiography (Hopkins) lends it an air of Desert Island Discs. The one imaginative stroke misfires: Chaplin's trademark bowler and cane magically presenting themselves to him in the props room like refugees from Industrial Light & Magic. The one conspicuous bit of mise en scène - Chaplin and Fairbanks (Kline) clambering about on the Hollywood sign (Hollywoodland: yes, they've done their research) - could have come from a commercial. Downey has captured the idealism and the melancholy, but not the sentimentality of the comic. He has also mastered the pratfalls and the balletics, and there are dazzling demonstrations when he does the drunk in the theatre box and the first impromptu audition for Sennett (Aykroyd), but he isn't funny. This is underlined when clips of the real thing are shown. A bit of a beached whale.Author: BC
Cast & crew
Director: Richard Attenborough
Producer: Richard Attenborough, Mario Kassar
Cast: Robert Downey Jr, Dan Aykroyd, Geraldine Chaplin, Kevin Dunn, Anthony Hopkins, Milla Jovovich, Moira Kelly, Kevin Kline, Diana Lane, Penelope Ann Miller, Paul Rhys, John Thaw, Marisa Tomei, Nancy Travis, James Woods, Bill Paterson full cast
Duration: 145 mins
Most popular on this site
Features
To the letter
Forty years later, Costa-Gavras's Z still brims with fury.
Mind over matter
David Cronenberg reflects on a most bizarre body: his own corpus of work.
Fool's gold
Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.
We are the championed
Terrorists and teens abound in this year's "Film Comment Selects."
A history of violence
Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.
True romantic
James Gray exchanges urban amorality for amour in Two Lovers.
Playing in the dark
MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.
Junk bonds
Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.



What do you think?
Post your review now