Claire Dolan (1998)
Director: Lodge H Kerrigan
Movie review
From Time Out Film Guide
Writer/director Kerrigan's first film, Clean, Shaven, won kudos for its clinical depiction of schizophrenia, but his second is a trickier proposition all round. Cartlidge plays the title role, one of those high-priced call girls so beloved of movie-makers across the spectrum. Claire hustles with a grim relentlessness, presumably to offset the emptiness she feels. The death of her mother is a catalyst for change. Perversely, she keeps her pimp Roland (Meaney) in the dark about it, as she begins to think about getting out of the game, and having a child herself. Kerrigan films all this with a cold, minimalist rigour, as detached and impersonal as the hotel rooms where Claire plies her trade. Dialogue and emotion is pared to a pragmatic base; it's only Roland who expresses compassion. Narrative ellipses creep in with the silence, and with them an ambiguity that's mysterious or just frustratingly obscure, depending on your willingness to adjust to this painstakingly alienated world view. Finally, the film lacks propulsive threat, and its characters come too close to art movie ciphers. Yet the last scene leaves an acrid aftertaste which isn't easily washed away.Author: TCh
Cast & crew
Director: Lodge H Kerrigan
Producer: Ann Ruark
Cast: Katrin Cartlidge, Vincent D'Onofrio, Colm Meaney, John Doman, Maryann Plunkett, Miranda Stuart Rhyne, Kate Skinner full cast
Duration: 95 mins
Most popular on this site
Features
To the letter
Forty years later, Costa-Gavras's Z still brims with fury.
Mind over matter
David Cronenberg reflects on a most bizarre body: his own corpus of work.
Fool's gold
Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.
We are the championed
Terrorists and teens abound in this year's "Film Comment Selects."
A history of violence
Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.
True romantic
James Gray exchanges urban amorality for amour in Two Lovers.
Playing in the dark
MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.
Junk bonds
Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.



What do you think?
Post your review now