The Colossus of Rhodes (1961)
Director: Sergio Leone
Movie review
From Time Out Film Guide
By the time Leone was thirty, he'd worked on well over 50 muscle-and-sweat sagas, including Helen of Troy, Quo Vadis? and the chariot scene in Ben Hur. The Colossus of Rhodes was his first attempt at direction, and it was a film remarkable enough, at a time when the peplums had just about reached the end of their particular line, to warrant good notices for its crowd and spectacle scenes. (The Colossus itself is a sophisticated torture chamber hidden behind a persuasively artsy exterior.) After the film's success, Leone turned down attempts to channel him into the manufacture of superman heroics in the Maciste mode, and went back to 2nd Unit work on Aldrich's Sodom and Gomorrah.Author:
User reviews of this film
-
- Loveshack said...
- Posted on Jan 11 2008 21:51 Italian lira, olive oil, pasta, chianti, proscutto, bruscetta, perfectly descibes this overwought concoction of tasty scenes devoted to ancient love and destruction. Director Sergio Leone was a homeosexual who relished handsome muscular men, and he makes it clear in this homosexual orgy of strong fists and hard flesh. Don't be fooled by the chessy acting and bad dubbing, this is a gay man's movie all the way,
- Report as inappropriate
Cast & crew
Director: Sergio Leone
Producer: Michele Scaglione
Cast: Rory Calhoun, Lea Massari, Georges Marchal, Mabel Karr, Conrado San Martin, Angel Aranda full cast
Genre(s): Period/Swashbucklers
Duration: 127 mins
Most popular on this site
Features
To the letter
Forty years later, Costa-Gavras's Z still brims with fury.
Mind over matter
David Cronenberg reflects on a most bizarre body: his own corpus of work.
Fool's gold
Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.
We are the championed
Terrorists and teens abound in this year's "Film Comment Selects."
A history of violence
Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.
True romantic
James Gray exchanges urban amorality for amour in Two Lovers.
Playing in the dark
MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.
Junk bonds
Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.



What do you think?
Post your review now