Film

Movie theaters, reviews and showtimes in New York, plus articles, trailers and more

 

Come See the Paradise (1990)

Director: Alan Parker

Average user rating
No reviews

Movie review

From Time Out Film Guide

Parker's movie about the experience of Japanese-Americans immediately after Pearl Harbor characteristically undermines its socio-political problems by focusing single-mindedly on the lives of a handful of individuals and resorting to simplistic bombast. The opening sequences bode ill: examining the cultural and racial barriers that divide his would-be lovers - ex-union activist Jack McGurn (Quaid) and Lily (Tomita), the Nisei daughter of Jack's employer - Parker even indulges Quaid with a silly, redundant song-and-dance number. Once Jack is drafted, and Lily and her family are interned in a desert camp with thousands of other victims of US xenophobia, the film plunges headlong into turgid melodrama. Dust, death and disintegrating values are the Kawamuras' lot, as the narrative staggers through an endless series of farewells and reunions, fallings-out and reconciliations; tears flow, the music swells, and Jack, affirming his love for Lily, discovers a poetic articulacy that is quite implausible for this working class hero. Except for the historical data inserted here and there into the dialogue, everything on view derives not from reality but from manipulative movie cliché.

Author: GA 0000-00-00 00:00:00

Time Out Film Guide


  • Print this page
  • Send to a friend

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields





Features

Making a name for himself

Making a name for himself

Sin Nombre's Cary Joji Fukunaga learned his lessons well.

To the letter

Forty years later, Costa-Gavras's Z still brims with fury.

Mind over matter

David Cronenberg reflects on a most bizarre body: his own corpus of work.

Fool's gold

Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.

We are the championed

Terrorists and teens abound in this year's "Film Comment Selects."

A history of violence

Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.

True romantic

James Gray exchanges urban amorality for amour in Two Lovers.

Playing in the dark

MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.

Junk bonds

Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.