Film

Movie theaters, reviews and showtimes in New York, plus articles, trailers and more

 

Confidence (2003)

Director: James Foley

Average user rating
No reviews

Movie review

From Time Out Film Guide

David Mamet's name doesn't feature in the credits for Confidence, but his imposing shadow keeps this ratty little picture in the shade. Director Foley pickpockets freely from Mamet's House of Games, and even enlists that picture's cameraman to conjure similar stretches of nocturnal melancholy. Such brazenness suggests a case of misplaced 'confidence'. It doesn't help that Foley has cast Burns as grifter extraordinaire Jake Vig. Having swindled the accountant of crime boss The King (Hoffman), Jake agrees to make amends by pulling the fast one to end all fast ones. Robert Forster gets a seductive intro as the Lucifer whom Jake's gang (including Weisz as a light fingered minx) plans to scam, but the film is so cavalier in its abandonment of him that it plays like a slip of the editor's scissors. That's consistent with the generally erratic focus. Hollywood's sleaziest sadsacks (Giamatti, Guzmán, Lynch) easily trump the synthetic glamour of Burns and Weisz, while you end up applauding Hoffman's shrill turn for the jolt of vulgarity that it brings to a timid film.

Author: RGi

Time Out Film Guide


  • Print this page
  • Send to a friend

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields





Features

Different Strokes

Different Strokes

Chris Smith dips his toe into new waters in The Pool.

Street fighting men

BAM celebrates John Carpenter’s sci-fi-inflected rage against the machine.

Zoom in:

<em>They Live'</em>s Roddy Piper

The American experience

British comedian Steve Coogan gets in touch with his inner Yank in <em>Hamlet 2.</em>

Spanish intuition

Scarlett Johansson and Rebecca Hall flirt away an Iberian summer in <em>Vicky Cristina Barcelona.</em>

Shadows and frogs

Crime pays in Film Forum’s expansive French noir series.

Strip tease

IFC’s new midnight-movie series revisits Hollywood’s groovy ’60s scene.

To air is human

<em>Man on Wire,</em> a new doc about a surreal Manhattan morning, aims high.