Film

Movie theaters, reviews and showtimes in New York, plus articles, trailers and more

 

Copycat (1995)

Director: Jon Amiel

Average user rating
No reviews

Movie review

From Time Out Film Guide

Midway through this gimmicky, derivative serial killer thriller, the murderer sends a message to his pursuers, a line from a song by The Police, promising he'll 'turn a murder into Art'. 'Very witty, this guy,' mutters agoraphobic psychologist Sigourney Weaver. 'He wants to dazzle us.' That goes for the film-makers too, of course, who've come up with this peculiarly tasteless, opportunistic conceit: a serial killer who reproduces the murders of notorious serial killers (Bundy, Dahmer, et al). With even less scruple, the screenwriters proceed to replicate the 'feminist' structure from Silence of the Lambs, with Weaver and cop Holly Hunter splintering the Clarice Starling role, consulting convicted psycho Harry Connick Jr for the inside dope, and finally coming face to face with their fears in a scary/silly climax. There are flashes of interest between the intriguingly matched stars, and Amiel keeps the tension high, but the film's imagination is circumscribed by the clichés of the genre, so that the name of that Police tune seems relevant: it's 'Murder by Numbers'. It leaves a nasty taste in the mouth.

Author: TCh 0000-00-00 00:00:00

Time Out Film Guide


  • Print this page
  • Send to a friend

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields





Features

Making a name for himself

Making a name for himself

Sin Nombre's Cary Joji Fukunaga learned his lessons well.

To the letter

Forty years later, Costa-Gavras's Z still brims with fury.

Mind over matter

David Cronenberg reflects on a most bizarre body: his own corpus of work.

Fool's gold

Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.

We are the championed

Terrorists and teens abound in this year's "Film Comment Selects."

A history of violence

Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.

True romantic

James Gray exchanges urban amorality for amour in Two Lovers.

Playing in the dark

MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.

Junk bonds

Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.