Film

Movie theaters, reviews and showtimes in New York, plus articles, trailers and more

 

The General (1926)

Director: Buster Keaton, Clyde Bruckman

Average user rating
No reviews

Movie review

From Time Out London

Only superlatives will do to describe Keaton’s hilarious Civil War dramatic comedy. Made in 1927, at the culmination of the silent era, it sees the graceful, stone-faced genius at his inventive best. Annabelle Lee (Marion Mack), fiancée of Western and Atlantic railway engineer Johnnie Gray (Keaton), wrongly suspects him of cowardice. When, in a preamble to hostilities, Union spies abduct her – along with her rival for Johnnie’s affections, the titular locomotive – he hot-rails it in pursuit of them both. What follows is a thrilling adventure yarn, based essentially upon a pair of hurtling and symmetrically opposed train chases, that is as superbly structured as it is executed.

The extraordinary budget (some $400,000) allowed Keaton unprecedented freedom – and resulted in a series of his most spectacular large-scale set pieces. But what makes the film so special is the way the timing, audacity and elegant choreography of its sight gags, acrobatics, pratfalls and dramatic incidents is matched by Buster’s directorial artistry, his acute observational skills working alongside the physical élan and sweet subtlety of his own performance. On another level, it’s also very satisfying as a Civil War drama (not to mention train movie), with Keaton’s ardour for authenticity expressed in his beautifully detailed (and expensive) period reconstruction. You have to watch every inch of the frame in a Keaton movie; you’ll find things that will continually delight and surprise.The cool contemporary response to the film disappointed poor Buster, but since then its status has steadily grown and grown and now it’s accepted as one of the greatest ever film comedies. This revival – heading a two-month NFT Keaton retrospective – will be digitally projected and feature Carl Davis’s fitting score.

Author: WH 2006-01-30 14:34:16

Time Out London Issue 1850: February 1-8 2006


  • Print this page
  • Send to a friend

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields





Features

Making a name for himself

Making a name for himself

Sin Nombre's Cary Joji Fukunaga learned his lessons well.

To the letter

Forty years later, Costa-Gavras's Z still brims with fury.

Mind over matter

David Cronenberg reflects on a most bizarre body: his own corpus of work.

Fool's gold

Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.

We are the championed

Terrorists and teens abound in this year's "Film Comment Selects."

A history of violence

Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.

True romantic

James Gray exchanges urban amorality for amour in Two Lovers.

Playing in the dark

MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.

Junk bonds

Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.