Film

Movie theaters, reviews and showtimes in New York, plus articles, trailers and more
 

A Girl in Every Port (1928)

Director: Howard Hawks

Average user rating
No reviews

Movie review

From Time Out Film Guide

'That big ox means more to me than any woman!' says Armstrong's sailor (via an intertitle) in Hawks' engagingly naive fourth film, thus paving the way for decades of buddy love. A strange choice, you might think, when the ox is McLaglen and the woman is the almost divine Louise Brooks, glowing with beauty in a cloche hat and beguiling fringe. But the film's allegiances remain so much with the triangle's male sides - two sailors who stumble over each other befriending the same girls in the same ports - that the result is dramatically lopsided. Technically, however, it's perfectly adroit, swiftly paced, clearly detailed, with only a modicum of overacting from the lads when they're tanked up and spoiling for trouble ('Let's pick another fight and go fifty-fifty on the fun'). No Hawksperson should miss it.

Author: GB 0000-00-00 00:00:00

Time Out Film Guide

  • Print this page
  • Send to a friend

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields


Cast & crew

Director: Howard Hawks

Producer: William Fox

Cast: Victor McLaglen, Robert Armstrong, Louise Brooks, Marcia Casajuana, Myrna Loy, William Demarest, Sally Rand full cast

Genre(s): Comedy

Duration: 5 mins


Features

Making a name for himself

Making a name for himself

Sin Nombre's Cary Joji Fukunaga learned his lessons well.

To the letter

Forty years later, Costa-Gavras's Z still brims with fury.

Mind over matter

David Cronenberg reflects on a most bizarre body: his own corpus of work.

Fool's gold

Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.

We are the championed

Terrorists and teens abound in this year's "Film Comment Selects."

A history of violence

Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.

True romantic

James Gray exchanges urban amorality for amour in Two Lovers.

Playing in the dark

MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.

Junk bonds

Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.