La Grande Illusion (1937)
Director: Jean Renoir
Movie review
From Time Out Film Guide
Renoir films have a way of talking about one thing while being about another. La Grande Illusion was the only one of his '30s movies to be received with unqualified admiration at the time, lauded as a warmly humane indictment of war, a pacifist statement as nobly moving as All Quiet on the Western Front. Practically nobody noted the irony with which this archetypal prison camp escape story also outlined a barbed social analysis, demonstrating how shared aristocratic backgrounds (and military professionalism) forge a bond of sympathy between the German commandant (von Stroheim) and the senior French officer (Fresnay); how the exigencies of a wartime situation impel Fresnay to sacrifice himself (and Stroheim to shoot him) so that two of his men may make good their escape; and how those two escapees (Gabin and Dalio), once their roles as hero-warriors are over, will return home reduced being working class and dirty Jew once more. The Grand Illusion, often cited as an enigmatic title, is surely not that peace can ever be permanent, but that liberty, equality and fraternity is ever likely to become a social reality rather than a token ideal.Author: TM
Cast & crew
Director: Jean Renoir
Producer: Frank Rollmer, Charles Spaak, Albert Pinkovitch
Cast: Jean Gabin, Pierre Fresnay, Erich von Stroheim, Marcel Dalio, Julien Carette, Gaston Modot, Jean Dasté, Dita Parlo, Jacques Becker full cast
Genre(s): War
Duration: 117 mins
Most popular on this site
Features
To the letter
Forty years later, Costa-Gavras's Z still brims with fury.
Mind over matter
David Cronenberg reflects on a most bizarre body: his own corpus of work.
Fool's gold
Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.
We are the championed
Terrorists and teens abound in this year's "Film Comment Selects."
A history of violence
Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.
True romantic
James Gray exchanges urban amorality for amour in Two Lovers.
Playing in the dark
MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.
Junk bonds
Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.



What do you think?
Post your review now