The Grass Harp (1995)
Director: Charles Matthau
Movie review
From Time Out Film Guide
The American South, a town full of eccentrics, the late '30s - and Furlong is the chap with the growing up to do when his mother dies and he's left in the company of his aunts (Spacek is the sensible one, Laurie the nature loving, touchy-feely sister she doesn't get on with). The plot (adapted from a Truman Capote novel by Stirling Silliphant and Kirk Ellis) rouses itself when Laurie's home-brew herbal dropsy cure attracts the attention of Lemmon's 'chemical engineer', a shyster with his eye on Spacek's fortune. His arrival causes such division in the household that Laurie retires to a tree house, a crisis requiring the intervention of kindly retired judge Matthau. Town barber McDowall, Durning's blustery reverend and Steenburgen's travelling evangelist also make their contributions to Furlong's life lessons, in a movie so old fashioned it makes Fried Green Tomatoes looks like a Gregg Araki picture. Old fashioned but not much cop, unfortunately, since director Charles Matthau (son of Walter) indulges his crusty old hams to the nth degree. Capote's prose glitters on the page, but this moves like treacle through its own wrongheaded sense of self-importance.Author: TJ
Cast & crew
Director: Charles Matthau
Producer: Charles Matthau, Jerry Tokofsky, John Davis, James J Davis
Cast: Piper Laurie, Sissy Spacek, Walter Matthau, Edward Furlong, Nell Carter, Jack Lemmon, Mary Steenburgen, Sean Patrick Flannery, Joe Don Baker, Charles Durning, Roddy McDowall full cast
Duration: 107 mins
Most popular on this site
Features
To the letter
Forty years later, Costa-Gavras's Z still brims with fury.
Mind over matter
David Cronenberg reflects on a most bizarre body: his own corpus of work.
Fool's gold
Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.
We are the championed
Terrorists and teens abound in this year's "Film Comment Selects."
A history of violence
Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.
True romantic
James Gray exchanges urban amorality for amour in Two Lovers.
Playing in the dark
MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.
Junk bonds
Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.



What do you think?
Post your review now