Film

Movie theaters, reviews and showtimes in New York, plus articles, trailers and more

 

A Great Day in Harlem (1994)

Director: Jean Bach

Average user rating
No reviews

Movie review

From Time Out Film Guide

Bach's documentary avoids all the clichés of jazz retrospection by concentrating on a single event on an August morning back in 1958. Esquire magazine's then art director, Robert Benton (yes, he of Bonnie and Clyde and Nobody's Fool), commissioned a photo from Art Kane containing as many jazz musicians as possible standing outside a brownstone in Harlem (57, plus one club-owner, in the event), and, unofficially, bassist Milt Hinton brought along his home-movie camera. There are so many stories here. The musicians had hardly seen each other in daylight before - 'They never knew there were two 11 o'clocks in one day,' said one. They were so pleased to talk to each other it was difficult to get them to stand still, and even then Dizzy Gillespie pulled a face which cracked up Roy Eldridge, and street urchins stole Count Basie's hat. Thelonious Monk was late. He'd been deciding on an outfit to eclipse the company. Johnny Griffin today remembered Monk with awe, and Sonny Rollins remembered Lester Young as someone briefly visiting from another planet. All the contemporary interviews are fascinating and touching, too: Blakey and Diz are gone now. The musical clips aren't over-familiar and are killingly good. A wonderful, warm little movie.

Author: BC 0000-00-00 00:00:00

Time Out Film Guide


  • Print this page
  • Send to a friend

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields





Features

Making a name for himself

Making a name for himself

Sin Nombre's Cary Joji Fukunaga learned his lessons well.

To the letter

Forty years later, Costa-Gavras's Z still brims with fury.

Mind over matter

David Cronenberg reflects on a most bizarre body: his own corpus of work.

Fool's gold

Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.

We are the championed

Terrorists and teens abound in this year's "Film Comment Selects."

A history of violence

Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.

True romantic

James Gray exchanges urban amorality for amour in Two Lovers.

Playing in the dark

MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.

Junk bonds

Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.