Film

Movie theaters, reviews and showtimes in New York, plus articles, trailers and more

 

The Patriot (2000)

Director: Roland Emmerich

Average user rating
No reviews

Movie review

From Time Out Film Guide

Gibson plays Benjamin Martin, bloodied veteran of the French and Indian Wars and, a few years later, conscientious objector to the War of Independence. His pacificism owes as much to pragmatism as conviction - he's a widower father of seven who inclines against British rule - but, more interestingly, it's also born of shame at the violence he knows within himself. At least on some level, The Patriot attempts to harness this rage. Perhaps it's to the credit of this violently idealistic film that it doesn't entirely succeed. You can approach it from many angles. It's written by Robert Rodat of Saving Private Ryan, and shares that film's anxiety about 'fighting the good fight'; it's directed by Emmerich and, after Independence Day and Godzilla, you could say it's his third American war movie; or it's Mad Mel up to his old tricks, learning to channel anger to socially productive ends. The intimate and domestic scenes tend to be stuffy and forced, but Emmerich does convey a sense of war encroaching across the land. It looks ravishing, too. But isn't there something obscene about a film which parades a very modern knowledge of atrocity and evil, only to tub the trite rhetoric of Stars and Stripes forever? Often impressive, but stirring and stomach churning in equal measure.

Author: TCh 0000-00-00 00:00:00

Time Out Film Guide


  • Print this page
  • Send to a friend

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields





Features

Making a name for himself

Making a name for himself

Sin Nombre's Cary Joji Fukunaga learned his lessons well.

To the letter

Forty years later, Costa-Gavras's Z still brims with fury.

Mind over matter

David Cronenberg reflects on a most bizarre body: his own corpus of work.

Fool's gold

Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.

We are the championed

Terrorists and teens abound in this year's "Film Comment Selects."

A history of violence

Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.

True romantic

James Gray exchanges urban amorality for amour in Two Lovers.

Playing in the dark

MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.

Junk bonds

Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.