Film

Movie theaters, reviews and showtimes in New York, plus articles, trailers and more
 

Pink Floyd: The Wall (1982)

Director: Alan Parker

Average user rating
No reviews

Movie review

From Time Out Film Guide

'We don't need no education' - cue inevitable shots of blank-faced schoolkids on a conveyor-belt to the dead-end mincer. It's hard to see where the much-rumoured creative clashes between Floydian self-analyst Roger Waters and director Parker arose, since the movie is a matter of such stunning literalism: it's little more than kinetic sleeve art keyed slavishly to a slim concept-album narrative. Neither Parker's bombastic live action sequences (carrying Geldof's mute Pink from a war-baby context of military carnage towards neo-fascist rallying, via the turbulence of rock stardom) nor Gerald Scarfe's animation offer more than pictorial italicising of Waters' lyrics; and the autobiographical pain is laid on so thick it emerges looking more like misogynist petulance. Crossing Privilege with Tommy couldn't result in anything shallower. All in all, it's just another flick to appal.

Author: PT 0000-00-00 00:00:00

Time Out Film Guide

  • Print this page
  • Send to a friend

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields


Cast & crew

Director: Alan Parker

Producer: Alan Marshall

Cast: Bob Geldof, Christine Hargreaves, James Laurenson, Eleanor David, Kevin McKeon, Bob Hoskins full cast

Duration: 95 mins


Features

Making a name for himself

Making a name for himself

Sin Nombre's Cary Joji Fukunaga learned his lessons well.

To the letter

Forty years later, Costa-Gavras's Z still brims with fury.

Mind over matter

David Cronenberg reflects on a most bizarre body: his own corpus of work.

Fool's gold

Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.

We are the championed

Terrorists and teens abound in this year's "Film Comment Selects."

A history of violence

Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.

True romantic

James Gray exchanges urban amorality for amour in Two Lovers.

Playing in the dark

MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.

Junk bonds

Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.