Film

Movie theaters, reviews and showtimes in New York, plus articles, trailers and more
 

Prime Cut (1972)

Director: Michael Ritchie

Average user rating
No reviews

Movie review

From Time Out Film Guide

Ritchie's inexplicably underrated second feature is a superb amalgam of pulp gangster thriller and fairytale, in which white knight/Chicago syndicate enforcer (Marvin) visits recalcitrant black knight/Kansas boss (Hackman), rescuing damsel in distress (Spacek, making her debut) while there. Underneath a surface that constantly juxtaposes opposites, Prime Cut concerns a curious, fundamental naiveté underlying America's corruption: that allows Hackman to give the country the dope and flesh it wants; that permits Marvin to attempt to live out his Beauty and the Beast romance; that implies, in the fairground shootout, an America totally oblivious to what is going on in front of its eyes. In his round-trip of bars, hotels, flophouses, ranches, cities and countryside, Ritchie demonstrates a truly fine handling of locations, best realised in two classic Hitchcock-like chases, through the fairground, and across a cornfield pursued by a combine harvester.

Author: CPe 0000-00-00 00:00:00

Time Out Film Guide

  • Print this page
  • Send to a friend

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields


Cast & crew

Director: Michael Ritchie

Producer: Joe Wizan

Cast: Lee Marvin, Gene Hackman, Angel Tompkins, Gregory Walcott, Sissy Spacek, Janit Baldwin, William Morey full cast

Genre(s): Gangsters

Duration: 86 mins


Features

Making a name for himself

Making a name for himself

Sin Nombre's Cary Joji Fukunaga learned his lessons well.

To the letter

Forty years later, Costa-Gavras's Z still brims with fury.

Mind over matter

David Cronenberg reflects on a most bizarre body: his own corpus of work.

Fool's gold

Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.

We are the championed

Terrorists and teens abound in this year's "Film Comment Selects."

A history of violence

Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.

True romantic

James Gray exchanges urban amorality for amour in Two Lovers.

Playing in the dark

MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.

Junk bonds

Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.