Film

Movie theaters, reviews and showtimes in New York, plus articles, trailers and more

 

Hana-Bi (1997)

Director: Takeshi Kitano

Average user rating
No reviews

Movie review

From Time Out Film Guide

Kitano's Venice prize-winner mixes tenderness, violence and droll humour. A recently retired cop drifts towards a one-off crime, to help out a suicidal colleague crippled in a disastrous stake-out, and to take his terminally ill wife on one last trip around Japan. It's exceptionally assured, imaginative and idiosyncratic: the violence is sudden, brutal and almost all in the editing; the working of Kitano's own delightful paintings into the story is astonishingly resonant; the mise-en-scène as sharp and inventive as in Sonatine; and it's all held together by Beat Takeshi's unprecedentedly taciturn, impassive, but expressive performance, which is crucial to the film's emotional punch. Fans of Melville, Keaton, Hawks and Peckinpah should be especially impressed, but anyone with a modicum of patience, an open mind and a little love in their heart will probably recognise it as a masterpiece.

Author: GA 0000-00-00 00:00:00

Time Out Film Guide


  • Print this page
  • Send to a friend

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields





Features

Making a name for himself

Making a name for himself

Sin Nombre's Cary Joji Fukunaga learned his lessons well.

To the letter

Forty years later, Costa-Gavras's Z still brims with fury.

Mind over matter

David Cronenberg reflects on a most bizarre body: his own corpus of work.

Fool's gold

Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.

We are the championed

Terrorists and teens abound in this year's "Film Comment Selects."

A history of violence

Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.

True romantic

James Gray exchanges urban amorality for amour in Two Lovers.

Playing in the dark

MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.

Junk bonds

Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.