Film

Movie theaters, reviews and showtimes in New York, plus articles, trailers and more

 

Hiroshima, Mon Amour (1959)

Director: Alain Resnais

Average user rating
No reviews

Movie review

From Time Out Film Guide

Hiroshima's mushroom cloud has probably inspired more glib statements and images than any other 20th century phenomenon. So it's particularly refreshing to find that it still has some meaning in Resnais' first feature, now almost thirty years old. Marguerite Duras' script - part nouveau roman, part Mills & Boon - centres on a Japanese man and a French woman coming together in Hiroshima, exploring each other and their past lives, both of which have been far from rosy. The woman was punished as a wartime collaborator after an affair with a German soldier; the man's whole life was shattered by the bomb. Duras and Riva revel masochistically in the woman's sad story (she had her head shaved in prison), but Resnais does his best to soft-pedal the novelettish touches, and presents a melancholy disquisition on the complex relationships between world calamities and personal histories, between the past, present and future.

Author: GB 0000-00-00 00:00:00

Time Out Film Guide


  • Print this page
  • Send to a friend

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields





Features

Making a name for himself

Making a name for himself

Sin Nombre's Cary Joji Fukunaga learned his lessons well.

To the letter

Forty years later, Costa-Gavras's Z still brims with fury.

Mind over matter

David Cronenberg reflects on a most bizarre body: his own corpus of work.

Fool's gold

Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.

We are the championed

Terrorists and teens abound in this year's "Film Comment Selects."

A history of violence

Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.

True romantic

James Gray exchanges urban amorality for amour in Two Lovers.

Playing in the dark

MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.

Junk bonds

Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.