Film

Movie theaters, reviews and showtimes in New York, plus articles, trailers and more

 

The Hitcher (1986)

Director: Robert Harmon

Average user rating
No reviews

Movie review

From Time Out Film Guide

There's a killer on the road (everyone's favourite Dutch psycho, Hauer) with a Nietzschean gleam in his eye and an ugly knife in his pocket. When Howell picks him up at dawn on a deserted Texan highway, he immediately makes his intentions plain by scaring the boy witless. When the boy fights back, however, then the hitcher has found what he needs - a decent adversary - and the game begins. By an apparent near-magical ability to be in several places at once, Hauer embarks on his round of gory slaughters, while sucking Howell into appearing at the scene, only to be nabbed by the cops. If you can swallow the unlikely nature of the killer's powers (like dismembering an entire police station while the boy is asleep in a cell), then you are in for a good rough ride down a murky road. There's a little toying with the old doppelgänger idea of the hero and villain coming to resemble one another, and the ending is rather straightforward; but it's a highly competent sick-fright version of the evergreen chase formula. And you'll never eat french fries again without looking at them closely. CPea.

Author: CPea 0000-00-00 00:00:00

Time Out Film Guide


  • Print this page
  • Send to a friend

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields





Features

Making a name for himself

Making a name for himself

Sin Nombre's Cary Joji Fukunaga learned his lessons well.

To the letter

Forty years later, Costa-Gavras's Z still brims with fury.

Mind over matter

David Cronenberg reflects on a most bizarre body: his own corpus of work.

Fool's gold

Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.

We are the championed

Terrorists and teens abound in this year's "Film Comment Selects."

A history of violence

Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.

True romantic

James Gray exchanges urban amorality for amour in Two Lovers.

Playing in the dark

MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.

Junk bonds

Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.