Holiday (1938)
Director: George Cukor
Movie review
From Time Out Film Guide
Marvellous 'sophisticated comedy' about a prototype dropout (Grant in one of his best performances) who takes a rich upper class family by storm: arriving engaged to the conventionally snobbish younger daughter (Nolan), stirring up latent doubts and resentments through his carefree disregard for material proprieties and properties, he ends up by showing the yearningly dissatisfied elder sister (Hepburn) the way to a declaration of independence. Despite some very funny barbed dialogue, mostly centering on two clashing couples among the engagement party guests (one liberal, the other proto-Fascist), the film is less a satire on the rich than an acknowledgment that privilege has its drawbacks; its key scene, accordingly, takes place in the nursery playroom, a place redolent of childhood hopes and dreams, which Hepburn and her unhappily alcoholic brother (Ayres) unconsciously use as a retreat from their unwelcome social obligations. Often underrated by comparison with The Philadelphia Story (both are based on plays by Philip Barry), but even better because its glitteringly polished surface is undermined by veins of real feeling, it is one of Cukor's best films.Author: TM
Cast & crew
Director: George Cukor
Producer: Everett Riskin
Cast: Cary Grant, Katharine Hepburn, Lew Ayres, Doris Nolan, Edward Everett Horton, Henry Kolker, Binnie Barnes, Henry Daniell full cast
Genre(s): Comedy
Duration: 95 mins
Most popular on this site
Features
To the letter
Forty years later, Costa-Gavras's Z still brims with fury.
Mind over matter
David Cronenberg reflects on a most bizarre body: his own corpus of work.
Fool's gold
Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.
We are the championed
Terrorists and teens abound in this year's "Film Comment Selects."
A history of violence
Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.
True romantic
James Gray exchanges urban amorality for amour in Two Lovers.
Playing in the dark
MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.
Junk bonds
Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.



What do you think?
Post your review now