Film

Movie theaters, reviews and showtimes in New York, plus articles, trailers and more

 

Mademoiselle (1966)

Director: Tony Richardson

Average user rating
No reviews

Movie review

From Time Out Film Guide

After Tom Jones, Tony Richardson launched into a series of extremely ambitious films (The Loved One, The Sailor from Gibraltar and Mademoiselle) which were all lambasted by the critics for their pretentiousness. This one boasts a script by Jean Genet which was partially rewritten by no less than four writers (David Rudkin, Michel Cournot, Oscar Lewenstein, and Richardson himself), and the results were understandably mixed, though not nearly as awful as The Sailor from Gibraltar, which deserves its reputation as the most meaningless movie of the '60s. Here, Jeanne Moreau plays a strung-up French schoolteacher who is driven by her lust for a woodcutter to commit a series of atrocities, but the whole thing suffers from Richardson's terrible addiction to artistic overstatement (not to mention the difficulty of making an intimate drama with an international cast speaking several languages).

Author: DP 0000-00-00 00:00:00

Time Out Film Guide


  • Print this page
  • Send to a friend

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields





Features

Making a name for himself

Making a name for himself

Sin Nombre's Cary Joji Fukunaga learned his lessons well.

To the letter

Forty years later, Costa-Gavras's Z still brims with fury.

Mind over matter

David Cronenberg reflects on a most bizarre body: his own corpus of work.

Fool's gold

Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.

We are the championed

Terrorists and teens abound in this year's "Film Comment Selects."

A history of violence

Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.

True romantic

James Gray exchanges urban amorality for amour in Two Lovers.

Playing in the dark

MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.

Junk bonds

Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.