Film
Movie theaters, reviews and showtimes in New York, plus articles, trailers and more
- Home
- Box Office
- Listings
- Trailers
- Features
Bookmark this page- Edition:
The Man Who Shot Liberty Valance (1962)
Director: John Ford
Movie review
From Time Out Film Guide
Ford's purest and most sustained expression of the familiar themes of the passing of the Old West, the conflict between the untamed wilderness and the cultivated garden, and the power of myth. Stewart plays a respected senator who returns on a train (in an opening echoing that of My Darling Clementine) to attend the funeral of his old friend Wayne. In one scene, Stewart wipes the dust off a disused stagecoach, marking in a simple gesture the distance between the Old West inhabited by Wayne and the new West which he himself represents. In the central flashback sequence, it is revealed that it was not Stewart who shot the outlaw Liberty Valance (Marvin) but Wayne, the gun law of the Old West paving the way for the development of a new civilisation. For Ford, the passing of the Old West is also the passing of an age of romantic heroism. The only link between the two worlds is the desert rose, a flowering cactus hardy enough to survive the harshness of the desert and humanise the wilderness.Author: NF
Cast & crew
Director: John Ford
Producer: Willis Goldbeck
Cast: John Wayne, James Stewart, Vera Miles, Lee Marvin, Edmond O'Brien, Andy Devine, John Carradine, Jeanette Nolan, Woody Strode, Denver Pyle, Strother Martin, Lee Van Cleef full cast
Genre(s): Westerns
Duration: 121 mins
Most popular on this site
Features
To the letter
Forty years later, Costa-Gavras's Z still brims with fury.
Mind over matter
David Cronenberg reflects on a most bizarre body: his own corpus of work.
Fool's gold
Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.
We are the championed
Terrorists and teens abound in this year's "Film Comment Selects."
A history of violence
Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.
True romantic
James Gray exchanges urban amorality for amour in Two Lovers.
Playing in the dark
MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.
Junk bonds
Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.
What do you think?
Post your review now