Max Mon Amour (1986)
Director: Nagisa Oshima
Movie review
From Time Out Film Guide
Finding that his wife Margaret (Rampling) has been lying about her afternoon activities, Peter (Higgins) - a Brit diplomat in Paris - begins to suspect her of infidelity. But when he discovers that her lover is a chimpanzee, he is so taken aback that, instead of yielding to jealousy, he insists on Max moving into the plush apartment the couple share with their young son and a maid. As scripted by Buñuel's frequent collaborator Jean-Claude Carrière, Oshima's film bears more than a passing resemblance to the late master's sly, surreal satires on the charmless discretion of the bourgeoisie: eager to hide his shock and anger beneath a mantle of liberal sophistication, Peter merely engineers a situation of futile impasse, while Margaret's amour fou (or is it amour bête?) seems motivated less by passion than by a boredom born of indolence. That said, lumbered with stilted performances from Rampling and Higgins, clearly ill at ease with Anglo-French dialogue, Oshima never achieves Buñuel's cool but mordant tone: despite the potentially subversive material, the film frankly lacks bite. On one level, however, it succeeds: our sympathies rest throughout with Max who, despite his touchy irritability, deserves neither Peter's tolerant condescension nor - and this is perhaps more destructive - Margaret's love.Author: GA
Cast & crew
Director: Nagisa Oshima
Producer: Serge Silberman
Cast: Charlotte Rampling, Anthony Higgins, Bernard-Pierre Donnadieu, Victoria Abril, Anne-Marie Besse, Nicole Calfan, Pierre Etaix, Fabrice Luchini, Diana Quick full cast
Duration: 97 mins
Most popular on this site
Features
To the letter
Forty years later, Costa-Gavras's Z still brims with fury.
Mind over matter
David Cronenberg reflects on a most bizarre body: his own corpus of work.
Fool's gold
Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.
We are the championed
Terrorists and teens abound in this year's "Film Comment Selects."
A history of violence
Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.
True romantic
James Gray exchanges urban amorality for amour in Two Lovers.
Playing in the dark
MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.
Junk bonds
Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.



What do you think?
Post your review now