Film

Movie theaters, reviews and showtimes in New York, plus articles, trailers and more

 

Me, Myself & Irene (2000)

Director: Bob Farrelly, Peter Farrelly

Average user rating
No reviews

Movie review

From Time Out Film Guide

This offering lacks the sweet subtext and buried heart that marks the films of the Farrelly brothers from Kingpin to There's Something About Mary. It's dominated by Carrey as hyperbolically nice Rhode Island motorcycle cop Charlie who finally cracks, turns into alter ego Hank, and is diagnosed with 'advanced delusionary schizophrenia with involuntary narcissistic rage'. The brothers have tackled race, class, status, delinquency, sexual relations, social alienation, paranoia, disability and now madness through lavatory humour, cheap gags, crass offensiveness, pratfalls and all-round puerile goonery, hung together by ad hoc plotting and point the camera styling. And they've raised some of the richest, most uncomfortable, laughs in recent cinema. But what's a poor taboo breaker to do? Don't ask: here they ram one right up a character's arse. Their adolescent fear/idolisation of women is represented by the unpersuasive Zellweger as the fugitive Irene. But for turning positive discrimination - Charlie/Hank's delightful trio of overweight African-American sons, fruit of the congress of his wife and a Mensa-minded midget cab driver, are bright enough to fly a helicopter from first principles - into hilarious, affectionate comedy, they win my PC award.

Author: WH 0000-00-00 00:00:00

Time Out Film Guide


  • Print this page
  • Send to a friend

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields





Features

Making a name for himself

Making a name for himself

Sin Nombre's Cary Joji Fukunaga learned his lessons well.

To the letter

Forty years later, Costa-Gavras's Z still brims with fury.

Mind over matter

David Cronenberg reflects on a most bizarre body: his own corpus of work.

Fool's gold

Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.

We are the championed

Terrorists and teens abound in this year's "Film Comment Selects."

A history of violence

Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.

True romantic

James Gray exchanges urban amorality for amour in Two Lovers.

Playing in the dark

MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.

Junk bonds

Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.