The Mephisto Waltz (1971)
Director: Paul Wendkos
Movie review
From Time Out Film Guide
A tale of diabolism with a plot familiar from Rosemary's Baby; but where Polanski's film developed into a complex investigation of doubt and fear as well as evil, this is anything but subtle. Alda plays an ex-musician turned writer of music ready to trade wife and child for a career, Bisset his down-to-earth, fearful wife who follows her man even into Satanism. The Devil-worshipping couple are a world famous concert pianist (Jürgens) dying of leukemia, and his daughter (Parkins), whose incestuous relationship is continued after her father's death through his usurping of the younger man's personality and hands. Wendkos seems prone to script troubles with his movies, and this is no exception; he goes all out to kill it, shooting with heavily greased lens from every conceivable angle, exiling normality to periphery. Bizarre and vulgar, certainly, but also very hard to follow.Author: VG
User reviews of this film
-
- Davey Love said...
- Posted on Oct 24 2007 20:59 Mephisto waltz is a great movie, I love the dog at the party wearing the human face. That is one of the most rememerable visuals in the film. Pretty good story too. I've waited years for this to come out and now I have it on DVD. 1971 was a pretty good year for thriller/horror fans.
- Report as inappropriate
Cast & crew
Director: Paul Wendkos
Producer: QuinnMartin
Cast: Alan Alda, Jacqueline Bisset, Barbara Parkins, Curd Jürgens, Bradford Dillman, William Windom, Kathleen Widdoes full cast
Duration: 109 mins
Most popular on this site
Features
To the letter
Forty years later, Costa-Gavras's Z still brims with fury.
Mind over matter
David Cronenberg reflects on a most bizarre body: his own corpus of work.
Fool's gold
Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.
We are the championed
Terrorists and teens abound in this year's "Film Comment Selects."
A history of violence
Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.
True romantic
James Gray exchanges urban amorality for amour in Two Lovers.
Playing in the dark
MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.
Junk bonds
Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.



What do you think?
Post your review now