Film

Movie theaters, reviews and showtimes in New York, plus articles, trailers and more

 

Mo' Better Blues (1990)

Director: Spike Lee

Average user rating
No reviews

Movie review

From Time Out Film Guide

It's clear from the opening that the way Lee sees jazz is as Art, sanitised and consequently a mite gutless. Indeed, as obsessive trumpeter Bleek (Washington) advances on his inevitable comeuppance - you know he's gotta get it - Lee's earnest parable proceeds to hit whole clusters of bad notes. First, the music is wrong: ghosted by Branford Marsalis, Terence Blanchard et al, Bleek's gigs range through an anachronistic array of styles, while Lee's underlining of mood with a handful of classics (Coltrane, Ornette, Miles) comes over as a showy hip parade of his own cultural credibility. But more damagingly, plot and characterisation are trite, perhaps even reactionary. If Bleek's errant attitude to his two lovers (Joie Lee, Cynda Williams) is symptomatic of an arrogant devotion to his art, the women rarely rise above schematic stereotypes (the Jewish club-owners fare even worse). Moreover, Lee's coda advocates submissive motherhood for a neglected lover and patriarchal domesticity for all concerned. Ideology apart (no drugs here), a messy, meandering script ensures that, despite stylish camerawork and sturdy acting, this lengthy indulgence succeeds neither as jazz movie nor as cautionary tale.

Author: GA 0000-00-00 00:00:00

Time Out Film Guide


  • Print this page
  • Send to a friend

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields





Features

Making a name for himself

Making a name for himself

Sin Nombre's Cary Joji Fukunaga learned his lessons well.

To the letter

Forty years later, Costa-Gavras's Z still brims with fury.

Mind over matter

David Cronenberg reflects on a most bizarre body: his own corpus of work.

Fool's gold

Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.

We are the championed

Terrorists and teens abound in this year's "Film Comment Selects."

A history of violence

Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.

True romantic

James Gray exchanges urban amorality for amour in Two Lovers.

Playing in the dark

MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.

Junk bonds

Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.