Film

Movie theaters, reviews and showtimes in New York, plus articles, trailers and more

 

The Mother (2003)

Director: Roger Michell

Average user rating
No reviews

Movie review

From Time Out Film Guide

Anyone who thought Calendar Girls bottled it will find this an altogether meatier proposition. Scripted by the congenitally unsentimental Hanif Kureishi, The Mother gives Reid the role of a lifetime as the recently widowed May, who comes down to stay with her middle class son in London and can't find the courage to leave. Even then, it's only her son's friend Darren (Craig) who sees May as a person, not an antiquated nuisance. They become friends and, secretly, lovers. Reid is wonderful, subtly revealing a difficult, longtime repressed woman coming out of her shell under the attentive curiosity of the younger man. Michell treats the sex scenes just so, with frankness, humour and compassion. It's only in the wider social realm that this affair assumes the status of taboo. May's grown children busily set about fixing her up with a likely partner never imagining the object of her real heart's desire lies so close to home. Very handsomely shot, the film exists in an altogether different zone to Michell's Notting Hill - this is a London natives may actually recognise. It's a shame, though, that the melodramatic showdown smacks of nothing more than bad faith.

Author: TCh 0000-00-00 00:00:00

Time Out Film Guide


  • Print this page
  • Send to a friend

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields





Features

Making a name for himself

Making a name for himself

Sin Nombre's Cary Joji Fukunaga learned his lessons well.

To the letter

Forty years later, Costa-Gavras's Z still brims with fury.

Mind over matter

David Cronenberg reflects on a most bizarre body: his own corpus of work.

Fool's gold

Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.

We are the championed

Terrorists and teens abound in this year's "Film Comment Selects."

A history of violence

Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.

True romantic

James Gray exchanges urban amorality for amour in Two Lovers.

Playing in the dark

MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.

Junk bonds

Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.