Film

Movie theaters, reviews and showtimes in New York, plus articles, trailers and more

 

Mother and Son (1997)

Director: Alexander Sokurov

Average user rating
No reviews

Movie review

From Time Out Film Guide

Aleksandr Sokurov's previous films have borne such titles as The Lonely Voice of Man, The Degraded and Sad Insensitivity, accompanied by documentary 'elegies' - Elegy, Russian Elegy, and Simple Elegy. 'Why can't America make cinema like this?' Scorsese has asked. The answer is not hard to find. This is not only slow (lyrical), serious (ambitious) and sombre (unironic), it's almost entirely free of narrative, conflict and character development, and manifests such a fundamental disengagement from the dramatic conventions of the medium as to make Peter Greenaway, or even Robert Bresson, look like naturals for the next Hollywood dinosaur picture. In other words, not a lot happens. In a stone cottage, the mother (Geyer) lies dying, old and hushed and frail, tended by her son (Ananishnov). They speak of shared dreams and fears, and he picks her up and carries her through the countryside; the next day he takes another such walk, alone. In place of drama, Sokurov's recourse and inspiration is art, landscape painting in particular. The walks take us through beach, forest and mountain country; Sokurov and his cameraman Aleksei Fedorov compose it in serene, stylised tableaux, sometimes hazy or luminous, sometimes stretched or skewed, emphasising the surface of the film until the locations resemble painted studio backdrops. As a pastoral tone poem, the film is stunning; there are images here as remarkable as any in cinema.

Author: NB 0000-00-00 00:00:00

Time Out Film Guide


  • Print this page
  • Send to a friend

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields


Cast & crew

Director: Alexander Sokurov

Producer: Thomas Kufus

Cast: Gudrun Geyer, Aleksei Ananishnov full cast

Duration: 71 mins




Features

Making a name for himself

Making a name for himself

Sin Nombre's Cary Joji Fukunaga learned his lessons well.

To the letter

Forty years later, Costa-Gavras's Z still brims with fury.

Mind over matter

David Cronenberg reflects on a most bizarre body: his own corpus of work.

Fool's gold

Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.

We are the championed

Terrorists and teens abound in this year's "Film Comment Selects."

A history of violence

Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.

True romantic

James Gray exchanges urban amorality for amour in Two Lovers.

Playing in the dark

MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.

Junk bonds

Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.