My Journey in Italy (2001)
Director: Martin Scorsese
Movie review
From Time Out Film Guide
There's a strong personal element in Scorsese's four-hour paean to the greats of Italian cinema. As the grandson of Sicilian immigrants, watching Italian movies as a child was a way of discovering the old country he never knew. These charming reminiscences add an extra level of engagement to his avowedly didactic purpose of enthusing a new generation about Neo-Realism and beyond. Filmed on the rooftop of the family's Little Italy home, he muses on his own childhood memories of Blasetti's historical spectaculars before providing an eloquent and sincere illustrated lecture on Rossellini, De Sica, Visconti, et al. Leading on through Fellini's I Vitelloni (an influence on Mean Streets, he says) and the modernism of Antonioni, he closes with the triumph of 82, his deft narration supplying the context for each clip, and editor Schoonmaker's unobtrusive wipe dissolves compacting the original material while preserving the essence of wonderful scene after wonderful scene. While it might have been even more fascinating to have him venturing forward in time to engage with Bertolucci and Pasolini, Scorsese's insightful comments and obvious admiration (for Rossellini in particular) help us get even more out of a string of art house classics we thought we knew already. A feast and an education.Author: TJ
Cast & crew
Director: Martin Scorsese
Producer: Giorgio Armani, Barbara De Fina, Giuliana Del Punta, Bruno Restuccia
Genre(s): Documentaries
Duration: 243 mins
Most popular on this site
Features
To the letter
Forty years later, Costa-Gavras's Z still brims with fury.
Mind over matter
David Cronenberg reflects on a most bizarre body: his own corpus of work.
Fool's gold
Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.
We are the championed
Terrorists and teens abound in this year's "Film Comment Selects."
A history of violence
Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.
True romantic
James Gray exchanges urban amorality for amour in Two Lovers.
Playing in the dark
MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.
Junk bonds
Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.



What do you think?
Post your review now