Film

Movie theaters, reviews and showtimes in New York, plus articles, trailers and more

 

The Quatermass Experiment (1955)

Director: Val Guest

Average user rating
No reviews

Movie review

From Time Out Film Guide

It was the enormous success of this Hammer version of Nigel Kneale's TV series which began the whole horror boom in Britain. As a result of its popularity, the company decided to tackle the Frankenstein monster, and subsequently discovered that the public's appetite for myth and fantasy was practically insatiable. The theme of the film (man returns from space as a kind of monster) is by now fairly stereotyped, but it's amazing how impressive Richard Wordsworth's performance remains. Phil Leakey's make-up manages to convey the idea of a whole body in the process of decomposition; and staggering over bombsites, his deformed arm wrapped pathetically in an old overcoat, Wordsworth's Victor remains one of the most sympathetic monsters in movie history. Perhaps the most remarkable thing about the film, in retrospect, is the way in which its opening sequence mirrors so precisely the intrusion of Hammer into the cosy middle class domesticity of British cinema in the late '50s. Two insipid lovers are sent screaming from their haystack bower as a huge tubular rocket ship (looking less like a spacecraft than an enormous phallus) plunges into the ground where they have been lying...

Author: DP

Time Out Film Guide


  • Print this page
  • Send to a friend

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields





Features

Different Strokes

Different Strokes

Chris Smith dips his toe into new waters in The Pool.

Street fighting men

BAM celebrates John Carpenter’s sci-fi-inflected rage against the machine.

Zoom in:

<em>They Live'</em>s Roddy Piper

The American experience

British comedian Steve Coogan gets in touch with his inner Yank in <em>Hamlet 2.</em>

Spanish intuition

Scarlett Johansson and Rebecca Hall flirt away an Iberian summer in <em>Vicky Cristina Barcelona.</em>

Shadows and frogs

Crime pays in Film Forum’s expansive French noir series.

Strip tease

IFC’s new midnight-movie series revisits Hollywood’s groovy ’60s scene.

To air is human

<em>Man on Wire,</em> a new doc about a surreal Manhattan morning, aims high.