Film

Movie theaters, reviews and showtimes in New York, plus articles, trailers and more

 

The Score (2001)

Director: Frank Oz

Average user rating
No reviews

Movie review

From Time Out Film Guide

Apparently Edward Norton says he did this movie for the poster - to see his name up there alongside Marlon Brando and Robert De Niro. And who could blame him? But it's a safe bet that Brando and De Niro did it for the money. Here's the thing: De Niro and Brando built their greatness on terrific performances in demanding roles in powerful films. They took their profession to the limit. Evidently they burnt out. And then they sold out - settling for the lucrative complacency of movie stardom. This is a laborious piece of genre mechanics, a heist movie so standard some have persuaded themselves it's a welcome throwback to old-fashioned entertainment. De Niro is the master cracksman seduced into one last job by jackpot booty and the finagling of mentor Brando. Norton is the Young Turk manipulating everybody with his already overfamiliar schizo act. Bassett is the love interest. Everything here is predictable, lazy and old hat. Brando? De Niro? Norton? Boring, boring, boring.

Author: TCh 0000-00-00 00:00:00

Time Out Film Guide


  • Print this page
  • Send to a friend

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields





Features

Making a name for himself

Making a name for himself

Sin Nombre's Cary Joji Fukunaga learned his lessons well.

To the letter

Forty years later, Costa-Gavras's Z still brims with fury.

Mind over matter

David Cronenberg reflects on a most bizarre body: his own corpus of work.

Fool's gold

Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.

We are the championed

Terrorists and teens abound in this year's "Film Comment Selects."

A history of violence

Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.

True romantic

James Gray exchanges urban amorality for amour in Two Lovers.

Playing in the dark

MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.

Junk bonds

Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.