The Strange One (1957)
Director: Jack Garfein
Movie review
From Time Out Film Guide
Advertised as 'the first picture filmed entirely by a cast and technicians from The Actors' Studio, New York': in 1957, this was quite a selling point, because the screen was under invasion by young, brilliant Method actors, and Elia Kazan, co-founder of the Studio, was the prestigious movie and play director. Calder Willingham's novel (End As a Man), about a sadistic cadet in a Southern military academy, certainly went against the Hollywood grain. Most movie versions of military life - Ford's The Long Gray Line is a fair example - endorsed the system, but Willingham, who had suffered under a similar regime, dissented: discipline and honour were dehumanising, and bred only bullying. Garfein, Kazan's assistant, wasn't much of a director, and some of the actors appear almost incapacitated with mannerisms. Gazzara, however, is sensational, playing the malevolent Jocko De Paris with a subtlety honed by Studio stage performances. Reptilian, glowering with banked-down hatred - even his outfit of military cap, Hawaiian shirt, shorts and sock suspenders, cigarette holder and swagger stick, communicates a sardonic androgyny that couldn't have done much for the military peace of mind. He is, in short, Iago. Fellow cadets Peppard and Hingle don't stand a chance against his cunning.Author: BC
Cast & crew
Director: Jack Garfein
Producer: Sam Spiegel
Cast: Ben Gazzara, George Peppard, Pat Hingle, Mark Richman, Geoffrey Horne, James Olson full cast
Duration: 100 mins
Most popular on this site
Features
To the letter
Forty years later, Costa-Gavras's Z still brims with fury.
Mind over matter
David Cronenberg reflects on a most bizarre body: his own corpus of work.
Fool's gold
Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.
We are the championed
Terrorists and teens abound in this year's "Film Comment Selects."
A history of violence
Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.
True romantic
James Gray exchanges urban amorality for amour in Two Lovers.
Playing in the dark
MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.
Junk bonds
Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.



What do you think?
Post your review now