Film

Movie theaters, reviews and showtimes in New York, plus articles, trailers and more

 

Imitation of Life (1958)

Director: Douglas Sirk

Average user rating
No reviews

Movie review

From Time Out Film Guide

There is a marvellous moment towards the end of Sirk's film which encapsulates the cruel cynicism that permeates his best work. As successful actress Turner, leaning over her dying black maid and long-term friend, lifts her head in tears, we see in the background a photograph of the dead woman's half-caste daughter, smiling. The romantic sentimentality of the moment is totally undercut by the knowledge that the girl, who has rejected her mother out of a desire to pass for white, has found a tragic release with her kindly parent's death. Sirk's last movie in Hollywood is a coldly brilliant weepie, a rags-to-riches tale of two intertwined families, in which the materialist optimism is continually counterpointed by an emphasis upon racist tension and the degeneration of family bonds. Despite the happy ending, what one remembers from the film is the steadily increasing hopelessness, given its most glorious visual expression in the scene of the maid's extravagant funeral, the only time in the film when her subordinate status and unhappy distance from her daughter are abolished. Forget those who decry the '50s Hollywood melodrama; it is through the conventions of that hyper-emotional genre that Sirk is able to make such a devastatingly embittered and pessimistic movie.

Author: GA 0000-00-00 00:00:00

Time Out Film Guide


  • Print this page
  • Send to a friend

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields





Features

Making a name for himself

Making a name for himself

Sin Nombre's Cary Joji Fukunaga learned his lessons well.

To the letter

Forty years later, Costa-Gavras's Z still brims with fury.

Mind over matter

David Cronenberg reflects on a most bizarre body: his own corpus of work.

Fool's gold

Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.

We are the championed

Terrorists and teens abound in this year's "Film Comment Selects."

A history of violence

Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.

True romantic

James Gray exchanges urban amorality for amour in Two Lovers.

Playing in the dark

MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.

Junk bonds

Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.