The Iron Triangle (1988)
Director: Eric Weston
Movie review
From Time Out Film Guide
Billed as the first Vietman film to show both sides of the conflict, this tries to have its cake and eat it. Based on the diary of a young, idealistic Vietcong soldier (here called Ho, played by Whatley), it is narrated by the equally sympathetic US officer who finds it, Captain Keen (Bridges). It therefore dispels the myth of the 'faceless enemy', while retaining a convienient Western identification figure. To be fair, as the opposing forces vie for tactical advantage in the heavily militarised 'Iron Triangle', this strategy does yield some intriuging moments. In the American camp, Keen clashes with his ruthless South Vietnamese and French colleagues over their relentless propagandising and routine use of torture. Likewise, Ho's professional soldiering is compromised by the ideological point-scoring of Communist party official Khoi (Ishida). Naturally, when Keen is later captured by Ho and his men, a professional respect develops between the two. Sadly, the sporadic battle scenes are too messy to be fully effective, so one's over-riding feeling is that writer/director Weston has his heart in the right place, but his liberal politics and cinematic technique all over the place.Author: NF
Cast & crew
Director: Eric Weston
Producer: Angela D Shapiro, Tony Scotti
Cast: Beau Bridges, Haing S Ngor, Liem Whatley, Johnny Hallyday, Jim Ishida, Ping Wu, Jack Ong, Sophie Trang full cast
Genre(s): War
Duration: 91 mins
Most popular on this site
Features
To the letter
Forty years later, Costa-Gavras's Z still brims with fury.
Mind over matter
David Cronenberg reflects on a most bizarre body: his own corpus of work.
Fool's gold
Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.
We are the championed
Terrorists and teens abound in this year's "Film Comment Selects."
A history of violence
Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.
True romantic
James Gray exchanges urban amorality for amour in Two Lovers.
Playing in the dark
MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.
Junk bonds
Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.



What do you think?
Post your review now