Richard III (1995)
Director: Richard Loncraine
Movie review
From Time Out Film Guide
This triumphant take on the Crookback king is as different from Olivier's '50s historical pageant as chalk is from malmsey. It starts in some vague, post-WWI civil-war period: a ritzy function, a jazz band, a crooner belting out lines from the wrong author - Marlowe! But the ambience soon assumes the fractured pomp of the original, superbly realised in the remastered southern landscapes: Brighton Pavilion, St Pancras turned into a seaside palace, the Armageddon of Bosworth Field played out with Battersea Power Station as a backdrop. The reasoning behind the film was to bring classical actor McKellen together with a director who has avoided the Bard; the result is a fresh, unified vision which may add lines and make cuts, but does a fine job of turning Shakespeare's grand design into a veritable world at war. With Scott-Thomas' loveless Lady Anne fixing up in the back of a Rolls; Downey and Bening as out-of-favour American Nevilles; Broadbent as a pucker, pissed-off Buckingham; and Hawthorne as a sonorous Clarence pacing his last steps amid rain and concrete, the piece is awash with talent and imagery. McKellen is a marvellous demon king: unctuous, snarling, taking the throne like Hitler at a Nuremberg rally. A seamless, high-octane thriller of power and politics, one for today and tomorrow.Author: SGr
Cast & crew
Director: Richard Loncraine
Producer: Stephen Bayly, Lisa Katselas Paré, Ellen Dinerman Little
Cast: Annette Bening, Kristin Scott-Thomas, Jim Broadbent, Robert Downey Jr, Maggie Smith, Nigel Hawthorne, Jim Carter, Dominic West, Bill Paterson, Adrian Dunbar, Edward Hardwicke, Michael Elphick, Ian McKellen full cast
Genre(s): Period/Swashbucklers
Duration: 104 mins
Most popular on this site
Features
To the letter
Forty years later, Costa-Gavras's Z still brims with fury.
Mind over matter
David Cronenberg reflects on a most bizarre body: his own corpus of work.
Fool's gold
Can an Oscar win lead to a cursed career? Here are five stories of postaward professional meltdowns.
We are the championed
Terrorists and teens abound in this year's "Film Comment Selects."
A history of violence
Matteo Garrone's kaleidoscopic Gomorrah wallops you with Italy's crime crisis.
True romantic
James Gray exchanges urban amorality for amour in Two Lovers.
Playing in the dark
MoMA salutes pianist Stuart Oderman's 50 years as the one-man sound of silents.
Junk bonds
Cast and crew recall the making of the classic NYC drug drama The Panic in Needle Park.



What do you think?
Post your review now